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  • Writer's pictureThe Sound Cafe

Minnesota-Based Dan Israel Releases Limited Edition Blue Vinyl Version Of Acclaimed 2019 Album

The 12" Vinyl Version of Dan Israel's acclaimed 2019 album "Social Media Anxiety Disorder" is out, and we can't stop spinning it, there is nothing quite like listening to a vinyl recording from start to finish, and this album has all the hooks needed to pull you in and and keep you singing and toe-tapping along.

Pressed on a beautiful medium BLUE vinyl it contains lyrics, and liner notes by Peter Himmelman - only 300 LPs will be pressed, and we are so lucky to have one!

Dan Israel is a longtime fixture on the Minneapolis music scene. He was the first guest on 89.3 The Current’s “Local Show” & has been called “the hardest working singer-songwriter in Minnesota.” He won Song of the Year (for “Come to Me”) in the 2005 Minnesota Music Awards & Songwriter of the Year in the 2006 MMA’s. He received a 4-star review from the UK’s “Uncut” mag for his 2007 album "Turning."

With Social Media Anxiety Disorder, Minnesota singer-songwriter Dan Israel returns with his 15th studio album, a mere 17 months after his acclaimed 2018 release You're Free.

Social Media Anxiety Disorder was recorded in the spring and summer of 2019 at two different Twin Cities studios, featuring a powerful batch of songs tracked with producer/engineers Jon Herchert (Thomas Abban, Annie Mack) and Steve Price (The Suburbs, Mary Bue), and featuring drummers Peter Anderson and David J. Russ, along with special guests Jeremy Ylvisaker, Steve Brantseg, John Fields, Janey Winterbauer, Tonia Hughes Kendrick, Jon Duncan, Paul Odegaard, and Randy Casey.

From the fiercely catchy, horn-driven power pop of the album's opening track, "Be My Girl," to the dark, moody contemplative drone of "Still I'm Lost," the songs on Social Media Anxiety Disorder span a wide variety of textures and styles, pushing the boundaries of Israel's past work. We get to hear what it sounds like when Israel works with two accomplished producers with divergent approaches. "Just Can't Take It" finds Israel wearing some of his deep love of '80s synth-pop on his sleeve, "Here for Today" revels in Stones-like crunch, while "125" takes on a haunting, psychedelic tone amidst abstract lyrical directions, and many longtime listeners might well be quite surprised at the many new and uncharted (for Israel, anyway) musical paths taken on "S.M.A.D."

These songs, though, are brought vividly to life in ways that feel quite uplifting, and represent an attempt by Israel to transcend all of these woes with rock music. In short, Social Media Anxiety Disorder sometimes represents a departure for Israel, sonically, while also bringing him back to his roots-rock and folk roots.


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