The Sound Cafe
Edmonton Alt-Folk Outfit Payphones Release Debut Album 'Rioting Heart'
By Jason Schneider. Photo: Katie Cutting.
Although soft-released digitally at the end of 2022, the debut album from Edmonton alt-folk outfit Payphones will surely get your year off to a moving start with eight songs that explore isolation, illness, queer heartbreak and personal growth, all written by frontperson Naomi Jichita over the past decade. Rioting Heart is a healing journey, with many visceral twists and turns along the way.
Joining Naomi (they/them) in Payphones are guitarist Robyn Slack (he/him), keyboardist Laena Anderson (they/them) and percussionist Aaron Addorisio (he/him), with Andrew Creswick (he/him) contributing bass, and Jack Lumayor (he/him) on cello—a self-described group of jazz gents, opera school drop outs, musical theatre queers, and a trifecta of choral cuties contained within four folk-inclined musicians.
Payphones played their first shows mere months before the world shut down in March 2020. Over the ensuing two years, they refined and performed their music for an audience of one—a very good dog named Ruby—while attempting to overcome isolation by seeking out local connections to make Rioting Heart a reality. Subsequently, Payphones was awarded a Major Projects Grant from the Edmonton Arts Council, and Naomi was selected to be a TD Music Artist in Residence at MacEwan University. When pandemic restrictions were eased, the band was more than ready to have engineer/mixer Conor “Conch” Wharton capture their sound at Edmonton’s Resonate Music Studio.
“We began the group with just Robyn and I,” Naomi explains, “playing our tunes on two guitars with vocal harmonies. Robyn’s spouse Laena eventually joined us on piano, and this definitely changed the energy of the music, turning the songs from slow and melancholic—my default vibe—to being more filled out and bouncy. Laena also added a third vocal harmony and we began to really settle into a more alt-folk/rock sound inspired by The Tragically Hip and early Barenaked Ladies.”
The addition of Addorisio on drums brought even more energy to Payphones’ approach, and his experience as a recording tech and choir arranger allowed them to explore further creative avenues. The result is a collection of writers and musicians who feed off their unique chemistry, but more importantly are committed to bringing out the powerful messages within Naomi’s songs. “These songs were once relics of pain and isolation,” Naomi says. “Now, they are given new life as pieces of art, forged in mutually supportive and artistically fulfilling collaboration.”
That can clearly be heard in Rioting Heart’s first focus track “Can’t Escape It,” which Naomi describes as being about falling in love with someone dealing with mental health issues they aren’t able or willing to work on, and how that reverberates with everyone close to them. Those feelings are summed up in the chorus, “I know that I'm falling for you, but I’m not sure that I can handle what you’re falling into / And though every part of me aches, the emptiness has been the only place I feel safe."
Although Naomi has struggled with physical and mental health challenges that have led them to become an outspoken advocate for anyone who doesn’t fit an “acceptable” societal image (i.e. able-bodied, straight, cisgender), the beauty of their songwriting is that it is rooted in emotional themes to which anyone can relate. In this way, Payphones follows the trail blazed by other western Canadian artists such as Tegan & Sara and Rae Spoon, bringing a message of greater inclusivity to the masses through music that upon first hearing sounds familiar, but reveals multiple layers with each listen.